On view in the Projection Room June 12 – July 3; Opening reception June 12, 7-9 pm.
A digital video installation by Matt Swift.
Rural Colors is a series of short poetic experimental films that documents the natural landscapes of the world around us. This film utilizes a tracking shot of the stretch of the Pennsylvania Turn Pike that runs between Blue Mountain, Kittatinny Mountain and Tuscarora Mountain to paint a view of nature that exposes abstract asymmetrical designs verging on an ever changing linear perspective. Timed to music exploiting the brains superior colliculus (the area that connects visual information with audible information) the images become a kaleidoscopic cornucopia of color changing the original documented landscape into an aesthetic experience void of the details that influence our interpretation of such scenic views.
All posts by Agnes Burris
Rarely Viewed: Newfangled readings of a bygone time
July 10 – August 1; Closing reception August 1, 6-8 pm
In this two-person exhibition, Lee Marchalonis and Heather Wetzel delve deep into the archives as they explore the rarefied worlds of libraries and natural history museums. Through drawings, photography and object-making these artists engage with notions of data collection, representative specimens, and the future of the book in a digital society.
Selections: Sunday Life Drawing with OAL
June 12 – July 3; Opening reception June 12, 7-9 pm
Participants in the Ohio Art League’s Sunday life drawing sessions (hosted at EASE) display the fruits of their labor. Get back to fundamentals and enjoy the diversity of artists, styles and approaches in this group show.
Useful Uselessness
May 15 – June 6; Opening reception May 15, 7-9 pm
Since its invention some 6,000 years ago, glass has been harnessed for functional ends. From the core-formed perfume holders of ancient Egypt to the touch screens on the latest smartphone, glass has continually reinvented its purpose, evolving to fit the needs of society. Useful Uselessness presents the work of seven undergraduate students from The Ohio State University’s Glass Department. Throughout the semester they addressed the theme of utility through the lenses of the “Prototype,” “Prop” and “Prosthetic.”
Chris Stone & Theodore Zanardelli
April 17 – May 9
Stripped of color and devoid of distraction the works in this exhibition question fundamental constructs of art and society.
Chris Stone’s rude crude figures reference the first humans and suggest a suppressed violence underpins our day-to-day interactions. Meanwhile, Theodore Zanardelli takes mark-making to a whole new fetish, reducing formal structures of shape and line to their most elemental smudge.
Come plumb these origin myths and more at the opening reception Saturday, April 18, 7 – 9 p.m.
Scroll: An Installation by Elizabeth Nelson
March 20 – April 11; Opening Reception March 20, 7 – 9 p.m.
Everyday we are presented with an overwhelming amount of visual information. Our brains must choose which elements are important enough to acknowledge and which can be left unseen. In an attempt to increase efficiency, our brains train themselves to recognize the visual patterns we observe most frequently. Because of this, we are able to scan more quickly as we fall into the rhythm of the information being presented.
Digital news feeds have been developed to monopolize upon this idea. They allow a viewer to look without seeing everything, to glance rather than inspect. But, with the constant option to simply continue scrolling, what is enough to actually make someone pause?
In her solo exhibition at EASE, Elizabeth Nelson confronts this question with a site specific multi-media installation.
Trespasses, February 13 – March 7
Supported in part by the Greater Columbus Arts Council and St. Stephen’s Episcopal Church, EASE Gallery is pleased to present Trespasses.
July is for renovating.
Join us in August for a new show in our improved space.